Narrative Disruptions: Reinterpreting Modernism Through Contemporary Media

Acharya, Indranil, and Ujjwal Kumar Panda. Geographical Imaginations: Literature and the 'Spatial Turn'. Oxford University Press, 2022.

Arda, Balca. “Ephemeral Social Media Visuals and Their Picturesque Design: Interaction and User Experience in Instagram Stories.” Acta Universitatis Sapientiae, Film and Media Studies, vol. 19, 2021, pp. 156–75. https://doi.org/10.2478/ausfm-2021-0010

Audisho, Endriana. Screening Architecture: Architecture, Media, and Conflict since the 1990s. 2024.

Bansal, Sakshi, Vineeta Prasad, and Payal Nagpal. “Hypertext Narrative and Globalisation: Studying the Cultural Intersection of Carnivalesque and Altermodernism in Michael Joyce’s Twelve Blue.” Literature & Aesthetics, vol. 33, no. 1, 2023, pp. 28–36.

Bax, Nicholas. Concrete, Space and Time: Mixed Reality and Nonlinear Narratives. University of Sheffield, 2022.

Bell, Alice, and Astrid Ensslin. Reading Digital Fiction: Narrative, Cognition, Mediality. Taylor & Francis, 2024.

Benegiamo-Chilla, Alessia. Narrative Truth in Bloomsbury's Novels and Biographies. 2022.

Bura, Tanu. “Critical Analysis of the Protagonist of Portrait of an Artist as a Young Man: Modernist Features, Deconstruction, Role of Women in His Life.” 2023.

Carr, Helen. “Disrupting the Narrative: An Introduction.” Women: A Cultural Review, vol. 22, no. 4, 2011, pp. 321–27. https://doi.org/10.1080/09574042.2011.623054

Cipriani, Anna Maria. The Italian Retranslations of Virginia Woolf’s To the Lighthouse: A Corpus-Based Literary Analysis. PhD dissertation, University College London, University of London (United Kingdom), 2022.

Cohen, J. David. “Aliens Eating Reese's.” Understanding Media Psychology, Routledge, 2021, pp. 121–60. https://doi.org/10.4324/9781003055648-7

Crawford, Kevin Ray. The Rhetorics of the Time-Image: Deleuzian Metadiscourse on the Role of Nooshock Temporality (viz. “Inception”) in Christopher Nolan's Cinema of the Brain. Regent University, 2012.

Delfanti, Alessandro, and Adam Arvidsson. Introduction to Digital Media. John Wiley & Sons, 2019.

DeMaagd, Allyson C. Dissensuous Modernism: Women Writers, the Senses, and Technology. University Press of Florida, 2022.

Dooley, Kath. “Virtual Reality Narratives: Embodied Encounters in Space.” 2024.

Elkins, Katherine. The Shapes of Stories: Sentiment Analysis for Narrative. Cambridge University Press, 2022.

Ensslin, Astrid. Literary Gaming. MIT Press, 2023.

Ensslin, Astrid. Video Games as Unnatural Narratives. Meson Press, 2015.

Eysteinsson, Astradur. The Concept of Modernism. Cornell University Press, 2018.

Geyerová, Veronika. “The Conception of Time in Virginia Woolf’s Novels in Relation to the Narrative Techniques Used by the Author.” 2017.

Gualeni, Stefano, and Daniel Vella. Virtual Existentialism: Meaning and Subjectivity in Virtual Worlds. Springer Nature, 2020.

Hagino, Ryo. Still in the Making: The Culture of Improvisation in American Modernism. PhD dissertation, State University of New York at Stony Brook, 2024.

Håkansson, Diana, and Sunniva Salomonsson. “Understanding Temporal Frames as a Mechanic and Narrative Device in Video Games: An Analysis of The Legend of Zelda: Majora’s Mask.” 2022.

Hays, Peter L. “Modernism and the American Novel.” A Companion to the American Novel, 2012, pp. 60–75.

Heise-Von Der Lippe, Anya. Monstrous Textualities: Writing the Other in Gothic Narratives of Resistance. University of Wales Press, 2021.

Herte, Michelle. Forms and Functions of Endings in Narrative Digital Games. Routledge, 2020.

Higgins, Matthew. “Cognitive Psychological Principles for Game Design to Facilitate Narrative Interpretation as Play.” 2021.

Joyce, Catherine Anne. “Bypassing Narrative: Modernist Interiority in the Plays of Samuel Beckett—An Explication.” 2015.

Joyce, James. The Cambridge Centenary Ulysses: The 1922 Text with Essays and Notes. Cambridge University Press, 2022.

Kaye, D. Bondy Valdovinos. “Please Duet This: Collaborative Music Making in Lockdown on TikTok.” Networking Knowledge: Journal of the MeCCSA Postgraduate Network, vol. 15, no. 1, 2022.

Kern, Stephen. The Modernist Novel: A Critical Introduction. Cambridge University Press, 2011.

Köller, Susanne. “I Imagined a Story Where I Didn’t Have to Be the Damsel”: Seriality, Reflexivity, and Narratively Complex Women in Westworld. Zeitschrift für Anglistik und Amerikanistik, vol. 67, no. 2, 2019, pp. 163–80. https://doi.org/10.1515/zaa-2019-0015

Kouta, Ashraf Taha Mohamed. “Narrative Nonlinearity and the Birth of the Wreader: A Hypertext Critical Reading of Selected Digital Literary Texts.” Critique: Studies in Contemporary Fiction, vol. 62, no. 5, 2021, pp. 586–602. https://doi.org/10.1080/00111619.2020.1804820

Krieger, Michael. “Storytelling on Social Media: The Changing Face of Narrative on Snapchat and Instagram.” 2019.

Kronfeld, Chana. On the Margins of Modernism: Decentering Literary Dynamics. vol. 2, University of California Press, 2023.

Kwinter, Sanford. Architectures of Time: Toward a Theory of the Event in Modernist Culture. MIT Press, 2002.

Landeweerd, Laurens. Time, Life & Memory. Springer International Publishing, 2021.

Lapaire, Jean-Rémi, and Hélène Duval. “To the Lighthouse (1927): A Choreographic Re-elaboration.” Miranda: Revue Pluridisciplinaire du Monde Anglophone/Multidisciplinary Peer-reviewed Journal on the English-Speaking World, no. 15, 2017. https://doi.org/10.4000/miranda.10898

Lavagnino, John. “Digital Textuality.” Oxford Research Encyclopedia of Literature, 2020.

Lee, A. Robert. “A Quality of Distortion: Imagining The Great Gatsby.” Gothic to Multicultural, Brill, 2009, pp. 259–77. https://doi.org/10.1163/9789401206600_016

Manovich, Lev. The Language of New Media. MIT Press, 2001.

Mccray, Sean M. “Evolving Expressions of Trauma in James Joyce, Jean Rhys, and Caryl Phillips.” 2023.

Miller, Carolyn Handler. Digital Storytelling 4e: A Creator's Guide to Interactive Entertainment. CRC Press, 2019.

Nee, Rebecca C. “Wild, Stressful, or Stupid: ¿Qué es Bandersnatch? Exploring User Outcomes of Netflix’s Interactive Black Mirror Episode.” Convergence: The International Journal of Research into New Media Technologies, vol. 27, no. 5, 2021, pp. 1488–1506. https://doi.org/10.1177/1354856521996557

Nikpour Khoshgrudi, Yas. “Cyber Souls and Second Selves.” 2021.

Olson, Liesl. Modernism and the Ordinary. Oxford University Press, 2009.

Page, Ruth E., and Bronwen Thomas, editors. New Narratives: Stories and Storytelling in the Digital Age. University of Nebraska Press, 2011.

Parke, Tyler. “Modernist Temporalities: Figures of Time in the Novels of Virginia Woolf.” 2019.

Pela, Tancredi Ario. “Estimating the Impact of Generative Artificial Intelligence on Natural Language.” 2023.

Poulaki, Maria. “Before or Beyond Narrative.” Towards a Complex Systems Theory of Contemporary Films. Dissertation, University of Amsterdam, Rozenberg, 2011.

Pressman, Jessica. Digital Modernism: Making It New in New Media. Oxford University Press, 2014.

Quinlan, Joshua A., and Raymond A. Mar. “How Imagination Supports Narrative Experiences for Textual, Audiovisual, and Interactive Narratives.” The Cambridge Handbook of the Imagination, edited by Anna Abraham, Cambridge University Press, 2020, pp. 466–78. https://doi.org/10.1017/9781108580298.028

Raymer, Mary. “Literature the Digital Way and Challenges in the Modern Era.” Motifs: A Peer Reviewed International Journal of English Studies, vol. 7, special issue, 2021, pp. 112–21. https://doi.org/10.5958/2454-1753.2021.00029.5

Rettberg, Scott C. “Digital Fiction.” The Cambridge Companion to Twenty-First Century American Fiction, edited by Joshua L. Miller, Cambridge University Press, 2021, pp. 100–20. https://doi.org/10.1017/9781108974288.007

Riva, Giuseppe, et al. “Transforming Experience: The Potential of Augmented Reality and Virtual Reality for Enhancing Personal and Clinical Change.” Frontiers in Psychiatry, vol. 7, 2016, p. 164. https://doi.org/10.3389/fpsyt.2016.00164

Rixon, Tessa. “The Potential of Authenticity in Reframing the Relationship between Performance, Audience and Vision Technology in Digital Performance.” Australasian Association for Drama, Theatre and Performance Studies, 2021.

Salter, Anastasia, and Stuart Moulthrop. Twining: Critical and Creative Approaches to Hypertext Narratives. Amherst College Press, 2021.

Sampson, Fiona. “The Waste Land: Meaning and Multiplicity.” Revista Canaria de Estudios Ingleses, no. 85, 2022, pp. 153–66. https://doi.org/10.25145/j.recaesin.2022.85.10

Sato, Shigeki. “Modernity, Postmodernity, and Late Modernity: A Review of Sociological Theories in Contemporary Japan.” International Sociology, vol. 36, no. 2, 2021, pp. 148–59. https://doi.org/10.1177/02685809211005345

Smethurst, Paul. The Postmodern Chronotope: Reading Space and Time in Contemporary Fiction. Rodopi, 2000.

Stahl, Marie-Helen. “Beyond Vision: Eyeless Writing in Virginia Woolf's The Waves.” 2019.

Štefl, Martin. “Frames, Shapes and Selves: Towards the Idea of Space in Virginia Woolf’s Fiction.” Acta Universitatis Carolinae Philologica, vol. 2016, no. 1, 2016, pp. 93–121. https://doi.org/10.14712/24646830.2016.31

Strobel, Johannes, and Conrad Hawkins. “Designing in Second Life: Identity Construction and Learning in a Virtual Informal Environment.” Journal of Online Engineering Education, vol. 1, no. 1, 2022. pp. 1-6

Sylvester, Sara. “The Theatre of the Selfie: Fictive Practices of the Instagram Artist.” Body, Space & Technology, vol. 18, no. 1, 2019. pp. 1-48

Towers, Mary. Visions of the Present: Nostalgias in Twentieth-Century American Fiction and Film. 2023.

Turan, Yusuf Ziyaettin. “Stream of Consciousness and Interior Monologue Techniques in Dokuzuncu Hariciye Koğuşu and Mrs Dalloway.” Celal Bayar Üniversitesi Sosyal Bilimler Dergisi, vol. 19, no. 02, 2021, pp. 47–59. https://doi.org/10.18026/cbayarsos.637612

Valverde, Rebeca Gualberto. Wasteland Modernism: The Disenchantment of Myth (Vol. 177), Universitat de Valéncia, 2021.

Vooght, Ursula. TThe Great Gatsby Meets Alain Badiou: Rethinking Fidelity in Film Adaptation. AOSIS, 2023.

Wang, Shujie, Ning Li, Niwen Liu, and Mohammed Habes. “Transitioning from Information Sharing to Knowledge Services: Unpacking the Evolution of Rural Media within the Context of Media Integration.” Journal of the Knowledge Economy, vol. 15, no. 3, 2023, pp. 12751–12782. https://doi.org/10.1007/s13132-023-01593-2

White, Allon. The Uses of Obscurity: The Fiction of Early Modernism. Routledge, 2023.

Williams, Raymond. Politics of Modernism: Against the New Conformists. Verso Books, 2020.

Wojtyna, Miłosz. “Solidarity, Dystopia, and Fictional Worlds in Contemporary Narrative TV Series.” Beyond Philology: An International Journal of Linguistics, Literary Studies and English Language Teaching, no. 15/3, 2018, pp. 163–80. https://doi.org/10.26881/bp.2018.3.09

Yang, Liu, Gang Wang, and Hongjun Wang. “Reimagining Literary Analysis: Utilizing Artificial Intelligence to Classify Modernist French Poetry.” Information, vol. 15, no. 2, 2024, p. 70. https://doi.org/10.3390/info15020070

Yoon, Sunny. “Mythical Narratives in Digital Games and the Digital Apocalypse.” Digital Creativity, vol. 32, no. 3, 2021, pp. 234–49. https://doi.org/10.1080/14626268.2021.1961808

Zeven, Katinka, and Aletta G. Dorst. “A Beautiful Little Fool? Retranslating Daisy Buchanan in The Great Gatsby.” Perspectives, vol. 29, no. 5, 2021, pp. 661–75. https://doi.org/10.1080/0907676x.2020.1778047

Zhang, Ruiqi. “Parallel Narrative: Short-Video Social Media Platforms’ Influences on Contemporary Narrative.” 2019.