The Dark Hand, the Light Hand; A Representation of Western Storytelling and the Iranian-Islamic Tradition | ||
| پژوهش ادبیات معاصر جهان | ||
| Volume 25, Issue 2, March 2021, Pages 635-664 PDF (351.06 K) | ||
| Document Type: Research Paper | ||
| DOI: 10.22059/jor.2019.261551.1718 | ||
| Authors | ||
| Majid Mansouri* 1; Marjan Karimi2 | ||
| 1Associate Professor, Department of Persian Language and Literature, Faculty of Human Science, Bu Ali Sina University of Hamadan, Hamedan, Iran | ||
| 2Department of Persian Language and Literature, Faculty of Human Science, Bu Ali Sina University of Hamadan, Hamedan, Iran | ||
| Abstract | ||
| Houshang Golshiri is a writer with sophisticated thoughts, and at the same time with simple phrases that follow explicit and understandable words, special and pure symbols, which the researcher's mind discovered by the greatness of the author's reach. Among his reflective and symbolic stories is "The Dark Knight of the Hand". In this story, the writer, with the deep thought of an idealist writer and with the use of western writing techniques such as the "sword wound" of Borges, and also using the "Judge's daughter's" frame of reference from Judge Tonoki, owns the book "The Fugue After Severity" in Symbolic And a strategy to express the profound and decisive concepts of their community. In this research, the effect of two stories of the girl Judge in Faraj's book after the severity and the sword's sword by Jorge Luiz Borges has been analyzed on the story of the dark hands of the hands of Hushang Golshiri. | ||
| Keywords | ||
| Dark hand of hands on; sword sword; girl of judge; symbol; influential | ||
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| References | ||
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