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چشم انداز، رئالیسم علمگرایانه و تغییرات اقلیمی در رمان خورشیدی | ||
پژوهش ادبیات معاصر جهان | ||
دوره 26، شماره 1، شهریور 1400، صفحه 244-275 اصل مقاله (580.01 K) | ||
نوع مقاله: مقاله علمی پژوهشی | ||
شناسه دیجیتال (DOI): 10.22059/jor.2020.307370.2023 | ||
نویسندگان | ||
سید محمد مرندی* 1؛ زهره رامین2؛ محمدباقر شعبان پور* 3 | ||
1استاد ادبیات انگلیسی، دانشکده زبانها و ادبیات خارجی، دانشگاه تهران، تهران، ایران | ||
2استادیار ادبیات انگلیسی، دانشکده زبانها و ادبیات خارجی، دانشگاه تهران، تهران، ایران | ||
3دانشجوی دکتری ادبیات انگلیسی، دانشکده زبانها و ادبیات خارجی، دانشگاه تهران، تهران، ایران | ||
چکیده | ||
این مقاله بهبررسی توصیفهای چشمانداز در رمان خورشیدی اثر ین مکیون میپردازد و دیدگاه معرفتشناختی راوی داستان را، با توجه بهاین توصیفها بررسی میکند. نوشتار استدلال میکند که توصیف چشماندازها در سبک رئالیستی این اثر، ریشه در اندیشة علمگرایانه و باور قاطع و تقلیلگرایانه راوی و شخصیت محوری داستان به سنت و آموزههای )نئو(لیبرالیستی دارد. مقاله، با عنایت بهاشارات و توصیفهای داستان، این مسئله را مورد کنکاش قرار میدهد که چگونه و با چه سازوکارهایی زمین بهعنوان پهنهای که از یک طرف طبیعت و از طرفی دیگر کشورها و مرزهای سیاسیشان را در خود جایداده بود، از اواخر سده بیستم تبدیل بهیک چشمانداز و سیارهای کروی و بدون مرز شده است. همچنین، این نوشته، با اتکا به اندیشههای هاروی باورمندی افراطی شخصیت اصلی رمان و راوی داستان بهساحت علم و منجی پنداشتن آن را به بوتهی نقد میکشد و میکوشد تا ثابت کند؛ نگرش علیالظاهر زیست بومگرایانه شخصیت اصلی داستان ریشه در سنتی دارد که خود مسبب معضلات محیطزیستی دنیا است. | ||
کلیدواژهها | ||
چشمانداز؛ رئالیسم علمگرایانه؛ (نئو)لیبرالیسم؛ معرفتشناسی؛ مکیون؛ هاروی | ||
عنوان مقاله [English] | ||
Landscape, Scientistic Realism, and Climate Change in Ian McEwan's Solar | ||
نویسندگان [English] | ||
Seyed Mohammad Marandi1؛ Zohre Ramin2؛ Mohammad Bagher Shabanpour3 | ||
1Department of English, faculty of Foreign languages and Literatures, University of Tehran, Tehran, Iran | ||
2Department of English, Faculty of Foreign Languages and Literatures, University of Tehran, Tehran, Iran | ||
3English Department, Faculty of Foreign Languages and Literatures, University of Tehran, Tehran, Iran | ||
چکیده [English] | ||
Abstract This paper studies the landscapes in Ian McEwan’s Solar and examines the narrator’s epistemological lens in his description of the landscapes. The research draws upon David Harvey’s definition of built environment, which contributes to the generation of a more practical definition of landscape, and argues that the narrator and the focalizer’s realistic descriptions of the landscapes have their origin in their scientistic mindset and firm reductionist belief in (neo)liberalism. With regard to such descriptions, the paper focuses on how, since the late twentieth century, the earth, as the cradle of nature and location of countries with definite political borders, is transformed into a landscape of a (blue) planet without any political or spatial borders on it. Using Harvey’s Marxist critiques of capitalism and neoliberalism, this study also analyzes the narrator and focalizer’s belief in science as a savior and the single avenue towards understanding the world. It is concluded that the ecological stance in the story is grounded in the very epistemology from which the man-made climate change arises. | ||
کلیدواژهها [English] | ||
Key Words: epistemology, Harvey, McEwan, landscape, (neo)liberalism, scientistic realism | ||
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