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تروما در داستان پسا 11 سپتامبر2001 : مطالعه موردی مندنی پور و مک یوئن | ||
پژوهش ادبیات معاصر جهان | ||
دوره 26، شماره 1، شهریور 1400، صفحه 22-38 اصل مقاله (413.96 K) | ||
نوع مقاله: مقاله علمی پژوهشی | ||
شناسه دیجیتال (DOI): 10.22059/jor.2020.293167.1919 | ||
نویسندگان | ||
احسان بقایی1؛ فریده پورگیو* 2 | ||
1دانشجوی دکتری زبان وادبیات انگلیسی پردیس بینالملل کیش، دانشگاه تهران | ||
2استاد ادبیات انگلیسی دانشگاه شیراز | ||
چکیده | ||
آنچه که در 11 سپتامبر 2001 رخداد؛ نه تنها دگرگونیهای سیاسی را در پی داشت که بسیاری از سردمداران دنیا را از سریر قدرت بزیر کشید، و فزونتر؛ سبب جنگ و کشتار مردم بیگناه بسیاری شد و تاریخ دنیای مدرن را بهپیشا و پسای 11 سپتامبر تقسیم کرد. رمان ، نمایشنامه، داستان کوتاه و آثار غیر داستانی بسیاری دراین زمینه نوشته شده است. نابرابریهای نژادی، سیاسی و فرهنگی در برخی از این آثار، تحت تاثیر اثرات تروماتیک این حادثه بروز کرده است. شخصیتهای مندنیپور طیفی از شرق و غربند، در صورتیکه شخصیتهای مک یوئن درحقیقت همگی سفید پوست و بریتانیایی اند. در این مقاله با استفاده از انگارة ترومای فرهنگی الکساندر مجموعه داستان آبی ماورای بحار اثر مندنیپور و شنبه اثر ایان مک یوئن بررسی شده تا چگونگی ارایة این دو نویسنده در بارة حادثه و ترومای شخصیتها بررسی شود و بنگریم که واکنش شخصیتها در پی تروما چگونه است. | ||
کلیدواژهها | ||
رمان پسا سپتامبر2001؛ ترومای فرهنگی؛ آبی ماورای بحار؛ شنبه؛ الکساندر | ||
عنوان مقاله [English] | ||
Trauma in Post 9/11 Fiction: Case study of Mandanipour and McEwan | ||
نویسندگان [English] | ||
ٍEhsan Baghaei1؛ Farideh Pourgiv2 | ||
1Tehran University | ||
2Shiraz University | ||
چکیده [English] | ||
Abstract This paper studies the landscapes in Ian McEwan’s Solar and examines the narrator’s epistemological lens in his description of the landscapes. The research draws upon David Harvey’s definition of built environment, which contributes to the generation of a more practical definition of landscape, and argues that the narrator and the focalizer’s realistic descriptions of the landscapes have their origin in their scientistic mindset and firm reductionist belief in (neo)liberalism. With regard to such descriptions, the paper focuses on how, since the late twentieth century, the earth, as the cradle of nature and location of countries with definite political borders, is transformed into a landscape of a (blue) planet without any political or spatial borders on it. Using Harvey’s Marxist critiques of capitalism and neoliberalism, this study also analyzes the narrator and focalizer’s belief in science as a savior and the single avenue towards understanding the world. It is concluded that the ecological stance in the story is grounded in the very epistemology from which the man-made climate change arises. | ||
کلیدواژهها [English] | ||
Key Words: epistemology, Harvey, McEwan, landscape, (neo)liberalism, scientistic realism | ||
مراجع | ||
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