1.

A Study of Qualitative Research in Visual Arts with emphasis on Works of painters of the Islam world (Case studies: Habibollah Sadeghi, Khalid Tahmazi, Amineh Ahmad, Adel Rostamov)

Pages 9-29
Sadegh Rashidi; Aliasghar Kalantar

2.

The social status of women musicians in Iranian and Indian paintings. Case study: Safavid and Gurkhani era

Pages 31-57
Abolghasem Dadvar; Hanieh Rezayatbakhsh reazaye

3.

Lies in Asghar Farhadi's trilogy

Pages 59-89
Mohammad Reza Javadi Yeganeh; saiedeh zadghanad

4.

A Study of Identity Components in the Image of Women in the Painting of the Islamic Revolution of Iran

Pages 91-117
zeinab mozafarikhah

5.

Symptomatology of Hermeneutics of the Self in Literary Modernism

Pages 119-138
sajad mombeini

6.

Changing the Social Status of the Arts: From "Folk Arts" to "Fine Arts" (A case study of changing the social status of the art of patchwork)

Pages 139-158
azadeh salman mahini; mahdi soleimanieh

7.

Comparison of the effectiveness of Creative drama and dramatic play on social attitude and spiritual ability

Pages 159-178
Hossein Moradimokhles; Mahin Darvish

8.

From Star to Celebrity; The Role of social media on the transformation of fame and fanning of Tataloo

Pages 179-205
Abdollah Bicharanlou; Sondos Mohammadi

9.

Representation of the signs of Islamic identity in the novel " Alrajol allazi amana" based on the social semiotics of Pierre Giro

Pages 207-229
sara javadi; omid jahanbakht layli; hadi shabani

10.

Social Imagination in Shahnameh: A Narrative Study to Form a Sociological Imagination of Shahnameh Narratives

Pages 231-262
Seyed Mohammad Alhosseini; Hossein- Abolhasan tanhaei; Rezaali Mohseni


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