| 1. | The Course of Angeles’ Divinity Image Inspired by Fravahr Pattern and Phoenix Subject | |
| Pages 5-23 | ||
| Esfandiar Ekhtiary; Azadeh Pashootanizadeh; Ramin Akhavijo | ||
| 2. | The feminism in war context Acccording to Aragon’s poems | |
| Pages 25-38 | ||
| Mohammad Taghi Ghiassi; Shaghaiegh Naderi Magham | ||
| 3. | Prediction of components of happiness by self-esteem and marital relationship in married women | |
| Pages 39-54 | ||
| Razieh Sheikholeslami; Esmat Nejati; Sareh Ahmadi | ||
| 4. | Formation of Basics in “a Consumption Model System”, “need selection”, and “gender” | |
| Pages 55-74 | ||
| Sorayya Maknoon; Zohreh Ataei-Ashtiani | ||
| 5. | The relationship between director's gender and type of characterization of women in cinema | |
| Pages 75-94 | ||
| Azam Ravadrad; Bahareh Fath Abadi | ||
| 6. | The Place of Wisdom in Women’s Moral Responsibility Focusing on Hadith Sources | |
| Pages 115-133 | ||
| Fahimeh Farahmandpoor; Marzieh Memari | ||
| 7. | A symbolic View to “the Woman” in Contemporary Palestinian Poetries | |
| Pages 95-113 | ||
| Ezzat Molla Ebrahimi; Zeinab Narimani; Nazi Ghanbari | ||