| 1. | Canon and Dodecaphony in the Music of Alfred Schnittke | |
| Pages 5-13 | ||
| Amin Honarmand | ||
| 2. | “Shirin” in The Persian Contemporary Mythical Discourse (And her Representation in Dramatic Arts) | |
| Pages 15-22 | ||
| Manizheh kangarani; Bahman Namvar Motlagh | ||
| 3. | Nonsense Syllables (Tarannom) In Iranian Vocal Music* Case Study: Darâmad-e Dastgâh-e Châhârgâh | |
| Pages 23-32 | ||
| Ali Kazemi; Hooman Asadi | ||
| 4. | Strategies to Promote the Iranian International Film Market | |
| Pages 33-40 | ||
| Mahmood Mohammadian; Amir Hassan Nedaei; Yasaman Giyahi | ||
| 5. | "Dance, Play, Drama" A survey of dramatic actions in pre-Islamic artifacts of Iran | |
| Pages 41-49 | ||
| Sadreddin Taheri | ||
| 6. | Carnivalesque in Romeo and Juliet | |
| Pages 51-57 | ||
| Narges Yazdi; Mansour Barahimi | ||
| 7. | Tones Impact on Musical Instruments Life Case Study : Ilkhanid and Timurid Periods | |
| Pages 59-69 | ||
| Narges Zaker Jafari | ||