1.

Analyzing the Potential and Actual Feasibility of Modal Fusion in the Development of the Repertoire of Iranian Classical Music: (Case study: “Dād-o Bidād” and Dastgāh-e Shūr with Its Related Modes in Radif of Abdullāh Davāmi)

Volume 28, Issue 1, March 2023, Pages 69-77
Sina Sanayei

2.

Classification of Iranian Classical Music Repertoire Based on Discourses of Identity

Volume 26, Issue 4, December 2021, Pages 41-51
Sepehr Seraji; Sasan Fatemi

3.

Introduction and Study of the Ghat’e A Contemporary Genre in Iranian Classical Music Composition: A Case Study Chakâd by Parviz Meshkatian

Volume 27, Issue 3, September 2022, Pages 17-26
Sepehr Seraji

4.

Qualitative study of the relationship between constructing creativity and fluidity of music genres; A case study of genre changes and innovation in the culture of Iranian classical music production

Volume 12, Issue 2, April 2021, Pages 123-145
mehri bahar; Zahra. Sadat chelengar

5.

Recognition of Central features as characteristic elements in Iranian classical music

Volume 25, Issue 2, June 2020, Pages 57-66
Sepehr Seraji; sasan fatemi

6.

The Modal Arrangement of the Dastgāh and its Effect on the Representation of Modal Entities and the Possibility of Expanding the Repertoire; Case Study: Mokhālef-E Segāh  – Bayāt-E Isfahān-E Qadim & Nayshābūrk-E Māhūr

Volume 27, Issue 3, September 2022, Pages 5-16
Sina Sanayei

7.

بحثی پیرامونِ تناسباتِ اجرایی‌ و موسیقایی: از ضرورت و شِگِرد تا همراهی با زمانه

Volume 2, Issue 4, September 2021, Pages 25-45
Ramtin Nazarijou


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