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نقد فرمالیستی و نشانه‌شناسانه اثر مدیریت زمان از الکساندر گورلیزکی | ||
| نشریه هنرهای زیبا: هنرهای تجسمی | ||
| دوره 30، شماره 1، فروردین 1404، صفحه 95-106 اصل مقاله (1.83 M) | ||
| نوع مقاله: مقاله پژوهشی | ||
| شناسه دیجیتال (DOI): 10.22059/jfava.2025.372817.667252 | ||
| نویسندگان | ||
| ادهم ضرغام* 1؛ گلناز قاسم پور2 | ||
| 1دانشیار‌گروه‌نقاشی‌و‌مجسمه‌سازی،دانشکده هنرهای‌تجسمی،دانشکدگان‌هنرهای‌زیبا،دانشگاه‌تهران،تهران،ایران. | ||
| 2کارشناس‌ارشد‌نقاشی‌ایرانی،گروه‌نقاشی‌و‌مجسمه‌سازی، دانشکده‌هنرهای‌تجسمی،دانشکدگان‌هنرهای‌زیبا،دانشگاه‌تهران،تهران،ایران. | ||
| چکیده | ||
| الکساندر گورلیزکی از جمله هنرمندان اروپایی است که در سال‌های اخیر با تأثیر از نگارگری هند، دست به خلق آثار متعددی زده است. مدیریت زمان یکی از نقاشی‌های فیگوراتیو این هنرمند بریتانیایی است که به لحاظ فرمی و نشانه‌های به کار رفته در آن، به نظر می‌رسد بیانگر فضای ذهنی هنرمند می‌باشد و قابلیت‌هایی برای نقد و مطالعه بیشتر را دارا است. جهت گردآوری اطلاعات دراین پژوهش ازمصاحبه شخصی نگارنده با الکساندرگورلیزکی، منابع کتابخانه‌ای، منابع معتبر اینترنتی و همچنین مقالات چاپ شده در نشریات علمی پژوهشی استفاده شده است. این پژوهش از نظر شیوه پردازش اطلاعات پژوهشی، توصیفی-تحلیلی است و در جهت پاسخ دادن به این پرسش صورت گرفته است که در اثر مدیریت زمان به عنوان یک نظام نشانه‌ای، هرکدام از عناصر تصویری به طور مستقل و در ارتباط با یکدیگر بر چه چیزی دلالت دارند؟ همچنین در اثر مدیریت زمان ساختار و فرم اثر چه ارتباطاتی را می‌تواند با این نظام نشانه‌ای داشته باشد؟ اثر مدیریت زمان از میان آثار نقاشی فیگوراتیو گورلیزکی که از سال 2014 تا 2015 میلادی در نمایشگاهی با عنوان ما یکی هستیم در گالری اریک موشه به نمایش گذاشته شده‌اند، به این منظور انتخاب شده است که به خوبی نمایانگر سبک شخصی هنرمند در نقاشی‌های فیگوراتیو او است. | ||
| کلیدواژه‌ها | ||
| نقد تطبیقی؛ الکساندر گورلیزکی؛ نقد فرمالیستی؛ نقد نشانه‌شناسی | ||
| عنوان مقاله [English] | ||
| A Formalistic and Semiotic Critique of "Time management" Painting by Alexander Gorlizki | ||
| نویسندگان [English] | ||
| Adham Zargham1؛ Golnaz Ghasempour2 | ||
| 1Associate Professor, Department of Painting and Sculpture, School of Visual Arts, College of Fine Arts, University of Tehran, Tehran, Iran. | ||
| 2Master in Persian Painting, Department of Painting and Sculpture, School of Visual Arts, College of Fine Arts, University of Tehran, Tehran. | ||
| چکیده [English] | ||
| In the last decades, the process of selection and manipulation of ancient pictorial cultures, traditional arts, and folk art in contemporary European painting follows a very significant trend. During the last few centuries, European artists have traveled to India and got familiar with Indian art, especially Mughal Miniature painting and its various schools, and were influenced by it in creating their paintings. Alexander Gorlizki is a prolific artist who has created various artworks in different fields with the influence of Mughal miniature painting due to his special view. Among the many artworks of this artist, his paintings, which are mainly executed with water-soluble paints on paper, have received more attention than his other artworks. Gorlizki's works show a unique space in which the relationship of elements to each other is not based on familiar definitions, and various visual elements do not pursue their usual concepts and refer to things beyond themselves, so that in some cases the connections of these signs are not readily apparent to the audience at first glance. Nowadays, referring to traditional arts, especially very delicate and complex art such as Miniature painting, is a very important challenge for many artists. Understanding the possibilities of Miniature painting for use in Contemporary art is a difficult process. The art of Miniature painting in general has many possibilities for use in contemporary art, including painting and illustration, and it can be a source of inspiration and adaptation for many artists as an artistic heritage. Because many artists in Iran are creating works in the field of painting today, and also the recognition and general knowledge of artists in the field of Miniature painting has increased compared to the past, it is very important to know how other artists in the world get ideas from Persian and Mughal Miniature painting in creating their artworks. This research has been done to answer the question in the "Time management" painting as a visual system: What connections can the form components have with the semiotic system? The work "Time Management" was selected among Gorlizki's figurative paintings that were exhibited in the exhibition entitled "We Are One" at the Galerie Eric Mouchet from 2014 to 2015 because it represents the artist's style in his figurative paintings very well. This painting can generally be seen as a work that shows the artist's visual communication with the world around him. “Time management” depicts that aspect of today's world where an artist, like any other human being, is surrounded by an abundance of information and images. Gorlizki is an artist who extracts these various elements from a huge mass, sometimes in a completely random process and sometimes in a selective way, based on very personal criteria and ideas, goes beyond the facts and creates his new reality in such a way that the audience is surprised and drowned in the paintings to discover a new world. | ||
| کلیدواژه‌ها [English] | ||
| Comparative Criticism, Alexander Gorlizki, Formalistic Criticism, Semiotic Criticism | ||
| مراجع | ||
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آژند، یعقوب (1390). شیوه «پرداز» در نقاشی ایران. نشریه هنرهای زیبا: هنرهای تجسمی. 3(45) 5-12. https://dor.isc.ac/dor/20.1001.1.22286039.1390.3.45.1.8
جنسن، چارلز (1394). تجزیه و تحلیل آثار هنرهای تجسمی. ترجمه بتی آواکیان. چاپ نهم. سمت.
قیلچ‌خانی، حمیدرضا (1390). فرهنگ واژگان و اصطلاحات خوشنویسی و هنرهای وابسته (چاپ سوم). روزنه.
کشمیرشکن، حمید (1395). درآمدی بر نظریه و اندیشه انتقادی در تاریخ هنر (چاپ اول). چشمه.
مایل هروی، نجیب (1353). لغات و اصطلاحات فنّ کتابسازی. انتشارات بنیاد فرهنگ ایران.
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City Pigeons Take Note: the Pink-necked Green Pigeon is Hotter Than You Are. Featured Creature. Retrieved February 12, 2021, from https://featuredcreature.com/why-cant-all-pigeons-be-as-beautiful-as-the-pink-necked-green-pigeon-why-i-say-why/ Waswo, Richard Jhon (2010). Alexander Gorlizki in Conversation. Kulture Beast. Retrieved February 12, 2021, from https://youtu.be/2C5_8l7-qyk Colchester Zoo. (n.d.). Out of Africa. Retrieved June 15, 2021, from https://www.colchester-zoo.com/enclosures/out-of-africa/ Gorlizki, Alexander [@alexandergorlizki]. (2021, June 16). [Photo]. Instagram. Retrieved, from https://www.instagram.com/p/CKFeuyplOZ5/?igshid=bnez4ko1717d | ||
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