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بررسی اسلوب خط در نسخهای از شرح الشافیه* (مقدمه ای بر شناسایی و طبقه بندی خطوط نامتعارف در تمدن اسلامی) | ||
| نشریه هنرهای زیبا: هنرهای تجسمی | ||
| مقاله 4، دوره 20، شماره 3، آذر 1394، صفحه 35-44 اصل مقاله (7.53 M) | ||
| نوع مقاله: مقاله پژوهشی | ||
| شناسه دیجیتال (DOI): 10.22059/jfava.2015.56379 | ||
| نویسندگان | ||
| صداقت جباری* 1؛ معصومه مصلح امیردهی2 | ||
| 1دانشیار گروه ارتباط تصویری و عکاسی، پردیس هنرهای زیبا، دانشگاه تهران، تهران، ایران. | ||
| 2کارشناسی ارشد گرافیک، گروه ارتباط تصویری و عکاسی، پردیس هنرهای زیبا، دانشگاه تهران، تهران، ایران | ||
| چکیده | ||
| خوشنویسی سنتی، یکی از ارزشمندترین هنرهای اسلامی به شمار میآید و همواره بخشهای ناشناختهی بسیاری در خود دارد. یکی از این بخشها، خطوط نامتعارف و ناشناختهی نُسَخ خطی است. در این مقاله برای نخستین بار ویژگیهای بصری یکی از خطوط نامتعارف با استفاده از روش تاریخی، توصیفی و تطبیقی مطرح شده که به ریختشناسی خط نسخهای از کتاب شرحالشافیه اختصاص دارد. این نسخه از میان بیش از بیست هزار نسخهی خطی کتابخانهی مجلس شورای اسلامی به دلیل خصوصیت بدیع خط آن انتخاب شده است. در این مقاله، ضمن شناسایی و انتخاب خط نسخهای از شرحالشافیه، ساختار کلی و ریختشناسی حروف آن که اغلب به صورت غیرمستقیم به خطوط نسخ و رقعه وابسته است، مورد توجه قرار گرفته است. این تنوع و نوآوری که در خطوط متن، حاشیه و عناوینِ نسخه ملاحظه میشود، شیوهای متفاوت از حروف را به خود اختصاص داده که از لحاظ ویژگیهای منحصر به فرد آن در دستیابی به نگاهی نوین در طراحی حروف حائز اهمیت است و از این طریق میتواند زمینههای متنوعی را در این شاخه از گرافیک ایجاد نماید. امید است پژوهش حاضر که نخستین گام در شناسایی خطوط نامتعارف و بعضاً ناشناختهی نسخههای خطی محسوب میگردد، زمینهی تحقیقات بعدی را فراهم سازد. | ||
| کلیدواژه‌ها | ||
| خوشنویسی سنتی؛ نُسَخ خطی؛ شرح الشافیه؛ خطوط نامتعارف و ناشناخته | ||
| عنوان مقاله [English] | ||
| A Study of Script Style in one of Sharh-Al-Shafiye's Manuscript* (An Introduction for Identifying and Categorizing Uncommon Scripts in Islamic Culture) | ||
| نویسندگان [English] | ||
| Sedaghat Jabbari1؛ Ma’soumeh Mosleh Amirdehi2 | ||
| 1Associate Professor, Department of Graphic Design and Photography, College of Fine Arts, University of Tehran, Tehran, Iran | ||
| 2A in Graphic, Department of Graphic Design and Photography, College of Fine Arts, University of Tehran, Tehran, Iran. | ||
| چکیده [English] | ||
| Traditional calligraphy is known as one of the most valuable Islamic arts which always contains unknown parts. One of these parts is uncommon and unknown scripts of manuscripts. In Iran, given to the valuation of writing and manuscript as well as the presence of various art schools in different Islamic centuries, many manuscripts have been written and collected which now many of these works are keeping in general and private libraries as well as personal collections. The originality of these manuscripts is so worthwhile that should have specific place in visual studies, while, until now, manuscripts have been evaluated mostly according to their content and the majority of visual research and investigations have been only allocated to common scripts in manuscript and their layout. Therefore, visual features of unknown scripts have been ignored by these studies. On the other hand, manuscripts were not usually available and a few people except particular users were able to access them. Thus, not only the feature of manuscript but also its availability is concerned in this article, so according to the second criterion, among the existing libraries, eventually the library of Islamic Parliament was chosen. Observing more than 20000 manuscripts of library of Islamic Parliament, the author observed manuscript with uncommon and unknown script styles. Among the chosen manuscripts, finally the new, uncommon and unknown samples were selected. One of these manuscripts which is remarkable because of the new and different feature of script is one of Sharh-Al-Shafiye's manuscript which will be introduced and explained later on. This manuscript is chosen among more than 20000 manuscripts in library of Islamic Parliament due to the original and different feature of its script style. In this article, besides choosing and identifying a manuscript from Sharh-Al-Shafiye, the whole structure and visual features of its letterforms which relate to Naskh and Ruq'ah styles is considered. Also, an effort has been made to study the new and unique features of the script. The variety of script styles used in body text, margins and headlines of this manuscript shows different methods, and it is important because of its unique features which can help reaching a new look in type design and providing different contexts in this field of graphic design. In this article, at first, a general description of Sharh-Al-Shafiye's manuscript will be presented. Then by studying and analyzing the visual characteristics of letterforms, the intact style of script styles used in text, margin and titles are shown in order to identify and present the nearest styles to script in Sharh-Al-Shafiye's manuscript. As a result, it can be concluded that the influence of Naskh and Ruq'ah styles in the script styles used in Sharh-Al-Shafiye's text, and also the use of inscription structure, recreation in writing and decoration in the titles of script are the uncommon and unknown features of script in Sharh-Al-Shafiye's manuscript. The author hopes that the present research which is considered as the first step in identifying uncommon and unknown manuscripts help other researchers to do future research. | ||
| کلیدواژه‌ها [English] | ||
| Traditional Calligraphy, Manuscripts, Sharh-Al-Shafiye, Uncommon and Unknown Scripts | ||
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