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هویت یابی میوه های فولادی قاجاری، موجود در موزه ملی ایران (به استناد متون ادب فارسی) | |||||||||||||||||||||||||||||||||
نشریه هنرهای زیبا: هنرهای تجسمی | |||||||||||||||||||||||||||||||||
مقاله 6، دوره 25، شماره 3، آذر 1399، صفحه 55-62 اصل مقاله (552.77 K) | |||||||||||||||||||||||||||||||||
نوع مقاله: مقاله پژوهشی | |||||||||||||||||||||||||||||||||
شناسه دیجیتال (DOI): 10.22059/jfava.2018.247384.665820 | |||||||||||||||||||||||||||||||||
نویسندگان | |||||||||||||||||||||||||||||||||
ابوالقاسم دادور1؛ نغمه حسین قزوینی* 2 | |||||||||||||||||||||||||||||||||
1گروه پژوهش هنر دانشگاه الزهرا | |||||||||||||||||||||||||||||||||
2دانشگاه الزهرا، دانشکده هنر | |||||||||||||||||||||||||||||||||
چکیده | |||||||||||||||||||||||||||||||||
تعداد شش میوه فولادی از عصر قاجاریه، در موزه ملی ایران وجود دارد که تا حال معرفی نگردیدهاند و فرض مقاله بر این است که میتوان به استناد متون ادب فارسی این میوهها را هویتیابی نمود؛ از این رو هدف پژوهش پیشرو یافتن هویت این میوهها به استناد متون ادب فارسی است. روش اتخاذ شده برای نیل به این هدف، ابتدا بررسی ویژگیهای ظاهری این میوهها و سپس یافتن پیشینه میوههای فلزی در متون ادب فارسی، بعد طبقهبندی و انطباق آنها با مورد مطالعاتی میباشد؛ نتیجه اخذ این روش نشان داد، میوههای فولادی موزه ملی «به» و «ترنج» هستند و سابقه ساختن این میوهها به دو صورت بویا و غیربویا، به ایران قبل از اسلام میرسد؛ و دلیل ساخت این میوهها را با توجه به اینکه بر روی دو عدد از آنها نام ناصرالدینشاه نگاشته شده، میتوان باستانگرایی پادشاهان قاجاری دانست. بنابراین نتایج این پژوهش علاوه بر اینکه موجب دمیدن روح حیات به تعدادی اشیاء خاموش موزهای گردید؛ حتی در گامی فراتر موجب تکمیل اسناد تاریخی و فرهنگی این مرز و بوم شد؛ زیرا علیرغم اشارات فراوان به میوههای فلزی در متون ادب فارسی، میوههای فولادی موجود از عصر قاجاریه، تنها نمونه متجسد از یک سنت باستانی در ایران میباشد. | |||||||||||||||||||||||||||||||||
کلیدواژهها | |||||||||||||||||||||||||||||||||
میوه های فولادی؛ عصر قاجاریه؛ متون ادب فارسی؛ به؛ ترنج | |||||||||||||||||||||||||||||||||
عنوان مقاله [English] | |||||||||||||||||||||||||||||||||
Identification of Qajar Steel fruits in the National Museum of Iran (based on Persian literature) | |||||||||||||||||||||||||||||||||
نویسندگان [English] | |||||||||||||||||||||||||||||||||
Abolghasem Dadvar1؛ Naghme Hosein Qazvini2 | |||||||||||||||||||||||||||||||||
1Art Faculty, Alzahra University | |||||||||||||||||||||||||||||||||
2Alzahra university, Art Faculty | |||||||||||||||||||||||||||||||||
چکیده [English] | |||||||||||||||||||||||||||||||||
Some of the objects of the Islamic era of Iran are described simply by the appearance, so that many of the unique features of these objects are ignored without their background, name and application. One of the most important resources that can help us better introduce the Iran’s Islamic era objects, especially their name, application, background, and even aesthetic status, is the treasure of Persian literature. Because the Persian literary texts mirrored the lives of the people of their time; hence based on literary texts, we can elicit plenty of information about a large number of everyday objects of every age. One of the many obscure things about it is the Qajar Steel Fruits, six of which are in the National Museum of Iran, which have not been introduced yet, and even a few other examples in other museums have only been introduced to their appearance. It is based on the fact that many treasures were made in ancient Iran in the form of fruit or many kings and pilgrims in the texts of Persian literature with metal fruits such as "quince" and "bergamot" are described in hands. Therefore, in this research, the Persian literary treasure was used to identify the Qajar steel fruits. In order to achieve this, firstly, the introduction of steel fruits in samples of museums, especially the samples in the National Museum of Iran, and then the history of metal fruits were introduced on the basis of Persian literature. Since the remaining Qajar fruits are "quince" and "bergamot", in the next section, more attention was paid to these two fruits. Finally, the reasons for making steel fruits in the Qajar era were studied. Regarding the results of this identification, the production of metal fruits, especially "quince" and "bergamot" in ancient Iran, has a long history, so that many ancient kings and elders with quince or bergamot (fragrant and Or non- fragrant) are described in their hand. Of course, since the inscriptions of two examples of Qajar steel fruits in the National Museum of Iran indicate their belonging to Nasiral-Din Shah; it can be deduced that, given the Archaism of the Qajar kings, these fruits were probably used in the Qajar kings court. However, many obscure points remain in the study of these fruits, such as non- fragrant and fragrant (in this case, were covered with flavor material like amber). But since a number of these fruits are simple plain, the likelihood of these fruits covering with the amber is used to freshen up the court's environment; and the existence of such ambiguities in this article can be the basis for future research. Finally, it should be noted that the results of this research, in addition to identifying the Qajar steel fruits, It even provides for the completion of literary and historical documents from an ancient Persian tradition (making metal fruits); Because despite the many references to metal fruits in the texts, the Qajar steel quinces and bergamots are the only available examples of an ancient tradition. | |||||||||||||||||||||||||||||||||
کلیدواژهها [English] | |||||||||||||||||||||||||||||||||
Steel fruits, Qajar era, Persian literature, Quince, bergamot | |||||||||||||||||||||||||||||||||
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