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تحلیل روایی نمایشنامۀ «در انتظار گودو» بر مبنای نظریّۀ رمزگان رولان بارت | ||
| پژوهش ادبیات معاصر جهان | ||
| دوره 27، شماره 2، بهمن 1401، صفحه 870-897 اصل مقاله (921.96 K) | ||
| نوع مقاله: مقاله علمی پژوهشی | ||
| شناسه دیجیتال (DOI): 10.22059/jor.2020.298308.1955 | ||
| نویسندگان | ||
| امید وحدانی فر* 1؛ اکرم صفی خانی2 | ||
| 1گروه آموزشی زبان و ادبیّات فارسی، دانشکده علوم انسانی، دانشگاه بجنورد، بجنورد، ایران | ||
| 2گروه آموزشی زبان و ادبیات فارسی، دانشکده علوم انسانی، دانشگاه کوثر، بجنورد، ایران | ||
| چکیده | ||
| برای تحلیل ساختار روایی نمایشنامۀ « در انتظار گودو» از نظریّۀ رمزگان رولان بارت استفاده می‌شود تا نشان داده شود که چه اندازه کیفیّتی باز و متکثّر از معانی مختلف وجود دارد. همچنین کارکردهای روایی، دلالت‌ها و معانی پنهان متن مورد پژوهش قرار می‌گیرد. روش این پژوهش مطالعۀ توصیفی- تحلیلی با رویکرد روایت‌شناختی است. یافته‌های تحقیق نشان می‌دهد که نمایشنامۀ «در انتظار گودو» ساختاری قابل انطباق با نظریّۀ بارت را دارد و پیروی از الگوی تحلیل روایت‌شناسانۀ بارت، حائز اهمیت می‌نماید: چنان که در پاره‌ای از موارد الگوهای نقّادانۀ بارت را پیرامون سکون بیش از حد و یا عدم تحرّک بازیگران متن را در زیرساختی زیبایی‌شناسانه به چالش می‌کشد این امر باعث شناخت بیشتر صاحب اثر پیرامون خلق دو شخصیّت در متن می‌گردد. بکت در دیالوگهای این متن، با ساخت تقابلهای فراوان توانسته است با ایجاد ارتباط‌هایی میان شخصیّت‌های نمایشنامه با یکدیگر، مفاهیم دینی و فلسفی خود را به خوانندگان القا کند. 3) این نمایشنامه متنی است نوشتنی و دارای تکثّر معنا که توسّط خواننده به بازتولید می‌رسد. | ||
| کلیدواژه‌ها | ||
| روایت‌شناسی؛ ساختارگرایی؛ رولان بارت؛ ساموئل بکت؛ در انتظار گودو؛ متن خواندنی؛ متن نوشتنی | ||
| عنوان مقاله [English] | ||
| Validation analysis of "Waiting for Godot" based on Roland Barth's theory of passwords | ||
| نویسندگان [English] | ||
| omid vahdanifar1؛ akram safikhani2 | ||
| 1Department of Persian Language and Literature, Faculty of Humanities, Bojnourd University, Bojnourd, Iran | ||
| 2Department of Persian Language and Literature, Faculty of Humanities, University of Kosar, Bojnord, Iran | ||
| چکیده [English] | ||
| it is written text or closed text that transforms the reader into a consumer and the text is readable. It also explores the narrative functions, meanings and hidden meanings of the text. The method of this research is descriptive-analytical study with narrative approach. The research findings show that The text of Waiting for Godot is adaptable to Barth's theory of coding and follows the narrative analysis paradigm of Barthes: It is important that in some cases Barth's critical patterns of over-saturation or immobility be cast It challenges the text in an aesthetic context, which leads to a better understanding of the work on the creation of two half-crazy and half-philosophical characters. In the dialogues of this text, Beckett has been able to convey his religious and philosophical implications by making connections between the characters of the play with a great deal of contrast and using the style of the instrument. This play is a written text and has a multiplication of meaning that is reproduced by the reader. | ||
| کلیدواژه‌ها [English] | ||
| Narratology, Structuralism, Roland Barthes, Samuel Beckett, Waiting for Godot, Read Text, Written Text | ||
| مراجع | ||
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