پیوندهای مفید
اخبار و اعلانات
آمار
| تعداد نشریات | 162 |
| تعداد شمارهها | 6,621 |
| تعداد مقالات | 71,531 |
| تعداد مشاهده مقاله | 126,857,470 |
| تعداد دریافت فایل اصل مقاله | 99,901,576 |
Intercultural Changes in Music Tastes of Iranian Adult Population: The Role of New Technologies, Media Convergence, and Globalization | ||
| Journal of Cyberspace Studies | ||
| دوره 8، شماره 2، مهر 2024، صفحه 223-238 اصل مقاله (551.45 K) | ||
| نوع مقاله: Original article | ||
| شناسه دیجیتال (DOI): 10.22059/jcss.2024.376988.1104 | ||
| نویسندگان | ||
| Abdollah Bicharanlou* 1؛ Razieh Yasini2؛ Farzad Gholami1 | ||
| 1Department of Social Communication, Faculty of Social Sciences, University of Tehran, Tehran, Iran. | ||
| 2Department of Art, The Research Institute of Culture, Art and Communication, Tehran, Iran. | ||
| چکیده | ||
| Music consumption, as an important form of cultural consumption in the daily lives of Iranians, has been the subject of political focus before and after the Revolution, 1979. During past decade, high penetration of information and communication technologies, specifically convergence as well as globalization of various media, has affected the rate of use and preferred content choices. Specially, the development of satellite television channels and the use of smartphones, have shifted the way Iranians listen or watch domestic/foreign music, thus, changing the place of music in the cultural rearticulation of Iranian society and people. While most previous studies have focused on domestic factors in their analysis of current changes rather than intercultural and global issues, this study attempts to focus on the role of latter factors to identify why and how music consumption has undergone rapid and dramatic shifts in Iran. By addressing the gap, this paper represents a close look at Iranian music tastes using quantitative data collected during a survey of 3400 adult respondents aged between 18 to 60. The findings show that like most of other countries, diverse genres of music are popular in Iran but Iranian classic music and pop music are more popular than other genres. Iranian music is more popular to Iranians than foreign music tracks & Iranian traditional music and integrated music (Iranianan classic music integrated to pop music) are very popular in Iran. | ||
| کلیدواژهها | ||
| consumption؛ Iran؛ media convergence؛ music؛ taste | ||
| مراجع | ||
|
Alikhah, F. (2008). "The politics of Satellite Television in Iran". Semati, M.M. (Ed.). Culture and Society in Iran. 94-110. New York: Taylor & Francis Ltd.
Bansal, J.; Flannery, M.B. & Woolhouse, M.H. (2020). “Influence of personality on music-genre exclusivity”. Psychology of Music. 0305735620953611. doi: 10.1177/030573562095361.
Bardoel, J. & d’Henens, L. (2008). “Public service broadcasting in converging media modalities, convergance”. The International Journal of Research into New Media Technologies. 14(3): 351-360.
Brisson, R. & Bianchi, R. (2020). “On the relevance of music genre-based analysis in research on musical tastes”. Psychology of Music. 48(6): 777-794. doi: 10.1177/0305735619828810.
Cayari, C. (2011). “The YouTube effect: How YouTube has provided new ways to consume, create, and share music”. International Journal of Education & the Arts. 12(6). Retrieved 24 September 2023. http://www.ijea.org/v12n6/.
Chamorro-Premuzic, T.; Swami, V. & Cermakova, B. (2012). “Individual differences in music consumption are predicted by uses of music and age rather than emotional intelligence, neuroticism, extraversion or openness”. Psychology of Music. 40(3): 285-300. doi: 10.1177/0305735610381591.
Dolfsma, W. (2004). “Consuming pop music/constructing a life world: The advent of pop music”. International Journal of Cultural Studies. 7(4): 421-440.
Giddens, A. (1999). Runaway World: How Globalization is Reshaping Our Lives. UK, London: Profile Books.
Grebosz-Haring, K. & Weichbold, M. (2020). “Contemporary art music and its audiences: Age, gender, and social class profile”. Musicae Scientiae. 24(1): 60-77. doi: 10.1177/1029864918774082.
Held, D. & McGrew, A. (2003). The Global Transformations. UK, Cambridge: Polity.
Kim, Y. (ed.) (2008). “Experiencing globalization global TV, reflexivity and the lives of young Korean womenat”. Media Consumption and Everyday Life in Asia. New York, USA & London, UK: Routledge.
Kullenmark, S. (2012) A Qualitative Study of Music Consumption in Today’s Ubiquitous Music Landscape. Master Thesis, Stockholm School of Economics Department of Marketing and Strategy.
López-Sintas, J.; Garcia-Alvarez, M.E. & Filimon, N. (2008). “Scale and periodicities of recorded music consumption: reconciling Bourdieu's theory of taste with facts”. The Sociological Review. 56(1): 78-101.
Nooshin, L. (2009). “Tomorrow is ours’: Re-imagining nation, performing youth in the new Iranian pop music”. Music and the Play of Power in the Middle East, North Africa and Central Asia. Edited by Nooshin, L. Farnham, UK & Burlington, USA: Ashgate Publishing Company.
---------------. (2008). “The Language of Rock Iranian Youth, Popular Music, and National Identity”. Media, Culture and Society in Iran Living with Globalization and the Islamic State. Edited by Semati, M. Routledge.
Pearson, R. & Simpson, Ph. (eds) (2005). Critical Dictionary of Film & TelevisionTheory. New York, USA & Oxon, Canada: Routledge.
Picard, R. (2004). “Environmental and market changes driving strategic planning in media firms”. JIBS Reports on Media Series. 2.
Straubhaar, J.; LaRose, R. & Davenport, L. (2012). Media Now: Understanding Media, Culture, and Technology. 7th Ed. Belmont, Calif: Wadsworth.
Webster, J. (2019). “Music on-demand: A commentary on the changing relationship between music taste, consumption and class in the streaming age”. Big Data & Society. 6(2): 2053951719888770. doi: 10.1177/2053951719888770.
Weijters, B.; Goedertier, F. & Verstreken, S. (2014). “Online music consumption in today’s technological context: Putting the influence of ethics in perspective”. Journal of Business Ethics. 124(4): 537-550. doi: 10.1007/s10551-013-1892-y.
Wendy, S. DeBano. (2009). “Singing against silence: Celebrating women and music at the Fourth Jasmine Festival”. Music and the Play of Power in the Middle East, North Africa and Central Asia. Edited by Nooshin, L. Farnham, UK & Burlington, USA: Ashgate Publishing Company. | ||
|
آمار تعداد مشاهده مقاله: 236 تعداد دریافت فایل اصل مقاله: 225 |
||
سامانه مدیریت نشریات علمی. قدرت گرفته از سیناوب