| 1. | A Cultural Criticism of Jalal-al-Ahmad's Modire Madrese (The School Principal) In the Light of Theodore Adorno's Theory "Culture Industry" | |
| Pages 5-17 | ||
| Masoumeh Bakhtiari | ||
| 2. | Lyrics in Brecht's Works | |
| Pages 19-36 | ||
| Mohammad Hosein Haddadi; Hosein Sarkar Hassankhan | ||
| 3. | A Critical Study of Three Historic Literary Works of Eastern Germany | |
| Pages 37-54 | ||
| Narjes Khodaee | ||
| 4. | Reconstruction of Identity in Italian "Immigration Literature" | |
| Pages 55-72 | ||
| Mahzad Sheikholislami | ||
| 5. | A Chronological Study of Cultural Relationships Between Iran and Armenia through Translation | |
| Pages 73-90 | ||
| Sarineh Gharibian; Ahmad Sedighi; Andranik Simoni (Simonian) | ||
| 6. | A New View of the Novel: Choosing the Name of the Hero in Jean-Christophe | |
| Pages 91-108 | ||
| Mohammad Reza Farsian; Maryam Dorpa | ||
| 7. | A Subversive Reading of Ideological Discourse in the Rewriting of Shakespeare: King Lear and Rosencrantz and Guildenstern Are Dead | |
| Pages 109-126 | ||
| Ramin Farhadi; Fazel Asadi Amjad | ||