| 1. | Val Sal Va Mechanism and its Impact on Performer’s Speech | |
| Pages 5-12 | ||
| Sadegh Safaei | ||
| 2. | An Introduction to the Economy of Theater in Iran | |
| Pages 13-20 | ||
| Hamid Reza Afshar | ||
| 3. | Realism in Film: A Critical Survey on Gregory Currie's Theory of Likeness | |
| Pages 21-30 | ||
| Mohammad Shahba; Mehrdad Pour Elm | ||
| 4. | Aesthetic Considerations in Performing the Works of Wolfgang Amadeus Mozart, the Case of the Concerto for Flute and Orchestra in D Major K.314 | |
| Pages 31-40 | ||
| Azin Movahed | ||
| 5. | A Critical View to the some Researches on the Popular Music in Iran | |
| Pages 41-48 | ||
| Reza Samim | ||
| 6. | Analysis of the representation of ood player in the Images of Sasani to Safavi* | |
| Pages 49-56 | ||
| Mryam Dolati Fard; Fateme Shahroodi | ||
| 7. | European Musical Instruments in Safavid Period of Iran | |
| Pages 66-57 | ||
| Narges Zaker Jafari | ||