| 1. | The Role of Būzjānī’s Treatise Practical Geometry in the Formation of Geometric Ornaments in the Artworks of the Seljuk Period | |
| Pages 131-148 | ||
| Mehdi Beheshtinejad; samad samanian; Amir Maziar | ||
| 2. | Three Roons, Six Orientations, Seven Climates: Investigating History of Roon Concept | |
| Pages 149-171 | ||
| Majid Heydari Delgarm | ||
| 3. | A Reflection on the Relationship between Music and the Visual Arts, Based on the Concept of Harmonic Proportion | |
| Pages 173-206 | ||
| ٍEhsan Rajabi | ||
| 4. | ʿIlm-i ʿUqūd-i Abnīyih; A Key for Understanding of Relation between Science and Architecture n Islamic World | |
| Pages 207-232 | ||
| Mehrdad Qayyoomi Bidhendi; Rouhollah Mojtahedzadeh | ||
| 5. | Achieving to an Overview to Historic Development for Artist’s Pigment Production in Iran and its Literature Review | |
| Pages 233-249 | ||
| Amir-Hossein Karimy | ||
| 6. | Comparing Study of Mother Girih in the Drawing Methods Domain, with Offering an Unwrtiten Method | |
| Pages 251-274 | ||
| Nima valibeig; nooshin nazarieh; sanaz rahravi | ||