1.

Extraction of the scientific indicators of design; A theoretical approach on the relation of design and knowledge

Pages 5-15
Seyed Ali FAREGH; Samira ASHARI

2.

Paradigmatic analysis of the theory in the method of visual studies of Nishapur painted pottery

Pages 17-26
Hojjat Askari Alamouti

3.

Hypertextual Study of "Seated Painter" Painting by Kamal al-din Bihzad (Freer Gallery, 32.28) Copying from Gentile Bellini's Work "Seated Scribe" (Gardner, P15e8)

Pages 27-36
fatemeh shahkolahi; hassanali pourmand

4.

Application of emotion-oriented design in products with an emphasis on the qualitative understanding of users: a case study of home saffron mill

Pages 37-44
marjan mohamdi; Nasser Koleini Mamaghani

5.

A comparative study of the motifs of inscriptions and birds on Samanid pottery (Nishabur, 3rd and 4th centuries A.H.) with Tang pottery in China (Changsha, 7th to 10th centuries AD) based on Gestalt theory

Pages 45-55
Afsaneh Jafartayari; Alireza Khajeh Ahmad Attari; Farnaz Masoumzadeh

6.

Typology of Throne Motifs and the Seating Elements In the The Shahnama of Shah Tahmasp Images

Pages 57-68
ruhollah rahmani; seyed abutorab ahmadpanah

7.

Study of literary adaptation in Iranian staged photography

Pages 69-80
pouya zamanian

8.

A Reading of the Grotesque Art’s Visual Elements in Jenny Saville’s Works Based on the Views of Mikhail Bakhtin

Pages 81-91
shahla nilforoushan; Afsaneh Nazeri

9.

“The allegorical mythology of Chehel-Sotoun Palace’s ornaments in Isfahan”

Pages 93-104
saina mohammadi khabazan; Amir Saeid Mahmoodi; Bahman Namvar Motlagh; Saeed Haghir

10.

Critical Interpretation of the Reconstruction of Fath Ali Shah's Motifs in Contemporary Iranian Artists `works According to “Qajar Court painting”

Pages 105-117
fatemeh masaleh; فریده afarin

11.

Recognition Principles of Mir Ali Heravi’s Calligraphy Style According to Pen’s Angle and Dot’s Baseline*

Pages 119-128
seyedeh fereshte hoseini Roshtkhar; Hamid Reza Ghelichkhani; Ali Nemati babaylou

12.

Recognition of cultural-oriented design in the textiles of the Al-Buyid era (Emphasizing three examples of funerary fabrics)

Pages 129-138
Fatemeh Zadeh Abbas; Mahyar Asadi; Samira Panahi Dorche


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