University of Tehran Electronic Journals Database


1.	The Emergence of Romantic Drama and Its First Self-Conscious Manifestation in Iranian Theater: A Study of "The Fate of Parviz" by Ali Mohammad Khan Oveysi and "Shiudosh and Naheed" by Mirza Abu al-Hassan Khan Foroughi
	Pages 7-18
	Niloofar Zare; Behrooz Mahmoodi Bakhtiari; Majid Sarsangi; Maryam Dadkhah Tehrani
	View Article PDF 509.73 K

2.	The existentialist concept of creative boredom in the play Aramsaysehgah written by Bahman Forsi
	Pages 19-29
	emami emami; mitra alavitalab
	View Article PDF 481.68 K

3.	The Components of Peter Brooke's Immediate Theater in the Performance of Shakespeare: Regarding the Element of Present in the Ideas of Jan Katt works (Case Study The Tempest and The Tragedy of Hamlet)
	Pages 31-43
	Amirhossein fateh Daryani; Mehdi Hamed Saghian
	View Article PDF 883.5 K

4.	The Structures of Fancy in Big Fish Directed by Tim Burton, Emphasizing the Opinions of Gilbert Durand
	Pages 45-60
	Hamed Momken; hasan bolkhari ghehi
	View Article PDF 2.28 M

5.	The role of technological developments on the representation of violence in the history of cinema based on the phenomenology of Don Ihde
	Pages 61-70
	mojtaba fallah pour; ali sheikhmehdi
	View Article PDF 1.29 M

6.	A Unified Perspective on Musical Structure: Applying Agawu's Theory to Divergent Interpretations of Form in Mendelssohn's Violin Concerto
	Pages 71-80
	Setareh Beheshti; Iman Fakhr; saeed Majidi
	View Article PDF 719.93 K

The Emergence of Romantic Drama and Its First Self-Conscious Manifestation in Iranian Theater: A Study of "The Fate of Parviz" by Ali Mohammad Khan Oveysi and "Shiudosh and Naheed" by Mirza Abu al-Hassan Khan Foroughi