| 1. | Costume type and Color symbolism in Islamic mysticism | |
| Pages 5-14 | ||
| Maryam Mounesi Sorkheh; Farideh Talebpour; Mostafa Goudarzi | ||
| 2. | Improvisation in painting and Illustration | |
| Pages 15-22 | ||
| Seyed Mohammad Fadavi; Asghar Kafshchian moghadam | ||
| 3. | The Sassanid and Islamic figures on the tapestry of the Bayeux | |
| Pages 23-32 | ||
| Alireza Taheri | ||
| 4. | Art Production Management during Achaemenid era | |
| Pages 33-40 | ||
| Alireza Hejaberi Nobari; Mahyar Tavoossi; Mahmoud Tavoossi; Farhang Khademi Nadoushan | ||
| 5. | The Art of Expressing Inexpressiveness; An Analytic Survey of Chinese Thought & Art based on Bada Shanren Paintings | |
| Pages 41-50 | ||
| Mansour Hessami | ||
| 6. | Sculpture in Urban Spaces | |
| Pages 51-58 | ||
| Hasan Ali Pourmand; Mohsen Mousivand | ||
| 7. | APPLYING THE GENETIC CRITICISM IN PHOTOGRAPHY Analyzing of its possibilities and methods | |
| Pages 59-70 | ||
| Mohammad Ali Bidokhti; Habibollah Ayatollahi; Akbar Alemi; Bahman Namvar Motlagh | ||
| 8. | Methodology in Industrial Design in Post Modern (Alessandro Mendini Theories in 1980's) | |
| Pages 71-82 | ||
| Nassim Koochakpour; Reza Afhami; Mojtaba Ansari | ||