1.

Iranian Cinema Representing the Intellectual Challenges of Middle Class Society “1980’s and the Semiotics of Hamoon”

Pages 5-12
Ehsan Aghababaii; Reza samim; Peyman Key Farrokhi

2.

"Semiotics of dramatic characters name in the plays Death of a Salesman"

Pages 13-23
saied Asadi; Farhang Farbod

3.

The Relation between Romantic Music and Logical Idea in Hegel’s Thought

Pages 25-32
fateme benvidi

4.

Dramatic Signs in Draxt ? ?s?r?g “The Babylonian Tree”

Pages 33-44
Alireza BolandEghbal

5.

The Problematic concept of "Tashabboh" and why "Ta'zieh" has been named "Shabih-Khani"

Pages 45-54
Mohammadreza Khaki; Farhad Mohandespour; Ali Ghoulipour

6.

An analysis and definition of "?q?? " and "Vazn" (meter) with an observation of the treatises of the 3rd to 9th AH centuries

Pages 55-60
Pezhman Radmehr

7.

The Impact of Zoroastrian Mythology on Ibsen's Plays Through Nietzsche’s Thus spoke Zarathustra

Pages 61-68
Farindokht Zahedi

8.

Stylized reality in contemporary realistic theatre

Pages 69-77
Mohammad-Mehdi Soltani-Sarvestani

9.

Pedagogic theatre: a comparative study

Pages 79-86
Majid Sarsangi; Rahmat Amini

10.

A survey on Qina in singing based on Iranian musical articles (comparing “non-illegality of Qina in essence” theory with the content of Iranian song)

Pages 87-95
Mehdi Nikjoo


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