| 1. | The Representation of Religious Cinema in Two Political-Social Periods | |
| Pages 1-46 | ||
| arash hasanpour; vahid ghasemi; ehsan aqababaee; mohammad rezaei; Ali Rabbani | ||
| 2. | Recognition of the Identity of Tehran Based on the Readings of Architectural Developments from Fictional literature of Iran | |
| Pages 150-181 | ||
| 3. | The Reflection of Discursive Change in Iranian Middle Class in Asghar Farhadi’s Films | |
| Pages 47-82 | ||
| ali sheikhmehdi; Arsalan Moghadas | ||
| 4. | From Stereotype to Education | |
| Pages 83-113 | ||
| Abdollah Bicharanlou; Siavash Salavatian; Zeinab Ebrahimzadeh | ||
| 5. | The role of Kurdish novel in deconstructing dominant historiography | |
| Pages 115-148 | ||
| Jamal Mohammadi | ||
| 6. | Constitutional Revolution and Nationalism in Kamalalmolk's works | |
| Pages 183-212 | ||
| rasool eskandari; mehdi hosseini | ||
| 7. | Reading of sociological themes for Tiles of Takieh Mo’aven ol-Molk | |
| Pages 213-252 | ||
| Nastaran Norouzi | ||
| 8. | ....... | |