| 1. | The Function of Thresholds in Asghar Farhadi's Three Films based on the Theories of Bakhtin and Kristeva | |
| Pages 7-25 | ||
| Rakhshan Ghasabi Bonab; Alireza Khoshnevis | ||
| 2. | Invisible Trap (1979): A Utopian Representation of the Surveillance Society in the Second Pahlavi government | |
| Pages 27-40 | ||
| Nastaran Doregiraei; alireza sayyad | ||
| 3. | Investigating the Interaction between Story and Narrative Discourse in Abbas Kiarostami's Cinema, with a focus on the Movie Certified Copy | |
| Pages 41-51 | ||
| Zanyar Habibi kilak; Mohammad Shahba | ||
| 4. | Dianoia: The Distinguishing Aspect of Ta'zieh from Tragedy | |
| Pages 53-63 | ||
| Abolfazl Horri | ||
| 5. | Aesthetics in Experimental Animations Based on Pop Art Elements from the Perspective of John Dewey | |
| Pages 65-78 | ||
| Farshid Moayerifar; Ramtin Shahbazi | ||
| 6. | Rhythmic Variations of Kereshmeh in Pishdaramad’s of Darvish-Khan | |
| Pages 79-91 | ||
| Mohammadreza zeinali; hootan sharafbayani | ||