| 1. | The Semiotic Challenges of Art Criticism | |
| Pages 5-12 | ||
| Mohamadreza Abolghassemi | ||
| 2. | Formalism form the Viewpoint of Clive Bell and Niklas Luhmann | |
| Pages 13-18 | ||
| Maryam Bakhtiarian | ||
| 3. | Examining Paul Ricoeur's Hermeneutics and Interpretation of Audience from the Artistic work through Relying on Title* | |
| Pages 19-26 | ||
| Parvane Rajabi Nejad; Mansour Hessami | ||
| 4. | The Role of QarchaqāiKhān’s Family in Promoting the Visual Arts of 11th Century City of Mashhad* | |
| Pages 27-38 | ||
| Abouzar Nāsehi; Seyyed-Mohammad Fadavi | ||
| 5. | A Reconsideration of a Mistake Muhammad Zaman Farangi Khawn ; Muhammad Zaman Farangi Saz | |
| Pages 39-44 | ||
| Yaghoub Azhand | ||
| 6. | A Comparative Study for Recognition of Iranian Comics with Use of Americans Comics | |
| Pages 45-54 | ||
| Anahita Alavi; Mostafa Goudarzi; MohammadReza Doostmohammadi | ||
| 7. | Applied Concepts of Affordance Theory, from Psychology to Design Process | |
| Pages 55-64 | ||
| Ebrahim Bagheri | ||
| 8. | The Aesthetics of Eco Sustainable Approaches in Textile Design | |
| Pages 65-76 | ||
| Farinaz Farbod | ||