1.

Picture, Image and Visual Perception

Pages 5-12
Arefe Sarami; Asghar Fahimifar

2.

The Phenomenology of Color in Painting

Pages 13-22
Mohamadreza Abolghassemi

3.

Interpretation of Khavaran Nameh's paintings: an Iconology approach

Pages 23-34
Saeid Akhavani; Fattaneh Mahmoudi

4.

Comparison of visual communications in hieroglyphics between the Safavid and contemporary style (Miremad and Amirkhni)

Pages 35-46
rohollah ishaqsadeh; hamid sadeghian; elham rohani esfahani

5.

Light weapons and oven, "A Case Study of Mirrored Octagonal Stars in Safavid Walters Shahnameh"

Pages 47-54
nahid jafari dehkirdi; Khashayar Ghazizadeh

6.

The Study of Visual and Graphical Values of the Motifs of the Hand woven of Qashqayi Tribe, Fars

Pages 55-68
Azadeh Souri

7.

Decoration of Fabrics in Sasanian Dynasty Based on Isfahani’s Arabic Description of Paintings of Molouk-e- Bani Sasan

Pages 69-78
Maryam Keshmiri

8.

Layout Design in Three Manuscripts of Timurid Qur'ans, Reserved in the National Museum of Iran

Pages 79-86

9.

Reading an interactive installation of typography “In order to control” Through Gestalt visual perception principles

Pages 87-98
zahra rahbarnia

10.

Digital visual culture based on smart phone artistic applications

Pages 99-110
Fatemeh Morsali tohidi; Mitra Manavi Rad; Mohammadreza Moridi

11.

Analyzing the effect of available technologies on the thinking of product beginner and pro designers using linkography method

Pages 111-118
Bahareh Jahanbakhsh

12.

Explanation of the process and benefits of service design with participatory design approach

Pages 119-129
masoumeh esmaeelzadeh; zahra ghodusineghad; mehran fateminia


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